Friday, May 3, 2019
Ancient greek art paper Essay Example | Topics and Well Written Essays - 500 words
Ancient greek art opus - Essay ExampleThese figures are seen throughout the Aegean period. This is a clear indication that these figures were adored chiefly among people of Crete and Greece (van, Schaik, 11). Interestingly, atomic number 53 of the well-known marble figures is mainly musicians one who is a harp player, and another one who is a pipe holder. These are dated around 2500 BCE. These are considered the earliest extant musicians in the Aegean. absolute majority of the figures during this period were mostly women ranging from simple adjustment of stone to developed figures resembling human beings. Some of these figures had natural proportions season some were idealized (van, Schaik, 19). It is important to telephone circuit that high number of these figures during Spedos type depicted uniformity and proportion, a clear indication that they were planned with a compass. Additionally, through scientific analysis it is evident that the surfaces of these figures were painted with mineral based pigments-azurite for blue ores or cinnabar for red.The figure in the Appendix shows a male place on a high-backed chair playing a stringed instrument to assist him as he sings. Painted information that originally inflated the figure has currently been eroded into a plain fair marble (van, Schaik, 22). Despite this, the information is still levelible and engaging. What is interesting about this figure is its elegant fighter shape.The marble figure tilts back his head drawing his lips frontward. This enables one think or imagine lyric poem that he is likely to singing. Additionally, his ears are prominent. This enables him to hear his own music (van, Schaik, 26). The arm muscles and vigilantly articulated fingers bring up his capability as a musician he releases his right thumb, maybe to sound a note on a string. The back of the musicians head was painted maybe to show a close fitting cap. It is evident that he holds the front of the harp by use of his hands, and placing it on his leg and shoulder in
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